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Eurasian Academy Of Sciences Social Sciences Journal Yýl:2021  Sayý: 36  Alan: Sanat Tarihi ve Arkeoloji

Tuðba DÜZENLÝ, Elif Merve ALPAK
KENTSEL AÇIK MEKANLARI SANAT NESNESÝ OLARAK YORUMLAMAK: TRABZON PAZARKAPI ÇEVRE TASARIM PROJELERÝ
 
Sanat algýyla baþlar ve bir mekân kurgusuna dönüþür. Gördüðümüz ölçüde deðil, algýladýðýmýz kadarýyla mekâný duyumsarýz. Sanatýn mekânla kurduðu iliþki, çok katmanlý ve deðiþken sonuçlar sergileyebilir. Mekândaki boþluk sanat yapýtý tarafýndan sýnýrlandýrýlýp tanýmlanýncaya kadar farklý süreçlerden geçer. Sanat yapýtýnýn bir mekânda var oluþuyla mekân “yer”e dönüþür. Deneyim alaný sanatla birleþtiðinde artýk bir boþluktan öte “yer” olma özelliði taþýr. Kentsel açýk mekânlarý da “yer” e dönüþtürme tasarýmcýlarýn öncelikli amaçlarýndan olmalý, bu süreçte sanatla olan iliþkisi de ele alýnmalýdýr. Kentsel açýk mekân tasarým süreci, peyzaj - sanat iliþkisi açýsýndan farklý þekillerde incelenebilir. Farklý açýk mekân kullanýmlarý ve farklýlaþan sanat anlayýþlarý bu açýlardan bazýlarýdýr. Bu farklý bakýþ açýlarýndan en güncel olaný, ‘bir sanat nesnesi olarak mekân’ olgusudur. Bu çalýþmada; kentsel açýk mekânlarla sanatýn iliþkilerinin kurulmasýnda, tasarýmcýya düþen görevlerin ortaya çýkarýlmasý hedeflenmiþtir. Çalýþma kapsamýnda Karadeniz Teknik Üniversitesi Peyzaj Mimarlýðý Bölümü Çevre Tasarým Proje 6 Dersi süreci ve bu süreçte yapýlan Pazarkapý öðrenci tasarýmlarý sanatsal açýdan irdelenmiþtir. Sonuçta incelenen çevre tasarým projelerinin belirledikleri konseptlere uygun olarak açýk mekânlarý sanat objesi olarak ele aldýklarý, sanat nesnesi olarak özgün örtü elemanlarý, su elemanlarý, amfiler, döþeme ve donatýlar tasarladýklarý belirlenmiþtir.

Anahtar Kelimeler: Kentsel mekân, peyzaj mimarlýðý, sanat, çevre tasarýmý


INTERPRETING URBAN OPEN SPACES AS AN ART OBJECT: TRABZON PAZARKAPI ENVIRONMENTAL DESIGN PROJECTS
 
Art begins with perception and transforms into a space setup. We sense space not to the extent that we see, but as far as we perceive it. The relationship of art with space can exhibit multi-layered and variable results. The void in the space gets through different processes until it is limited and defined by the work of art. The space turns into a "place" through the existence of a work of art in a space. When the field of experience is combined with art, it is qualified as a "place" rather than a void. Transforming urban open spaces into “places” should be one of the primary purpose of designers, and its relationship with art should also be addressed during this process. The urban open space design process can be examined in different manners in terms of the relationship between landscape and art. Different uses of open spaces and differentiating art concepts are some of these perspectives. The most current one among these different perspectives is the phenomenon of 'space as an art object'. It is aimed to reveal the designer’s part in establishing the relationship of art with urban open spaces, in this study. The process of the Environmental Design Project Class 6 provided by the Department of Landscape Architecture at Karadeniz Technical University (KTU) and students’ design of Pazarkapý performed during the said process were examined in terms of art. As a result, it was determined that the environmental design projects examined considered open spaces as art objects and designed original covering elements, water elements, amphi theaters, flooring and furnitures as art objects in accordance with the concepts they determined.

Keywords: Urban space, Landscape Architecture, art, environmental design


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