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Eurasian Academy Of Sciences Social Sciences JournalYl:2019 Say: 27 Alan: Sanat Tarihi ve Arkeoloji

Talin BYKKRKCYAN DEMRC
DOALAYARAK ANDA KALABLMEK
 
Bu yazmda amacm doalamann bir sanat, bir dans iin nemini gstermek. ocukken iimizde olan oyun oynama gdsn bydmzde kaybettiimizi fakat bir dansnn sanatsal geliimi, anda var olabilmesi iin bunu geri armas gerektiini anlatmak olacak. Yntemim ocuktan yola karak byklere gelmek. ocuklarn oyun oynama igdlerini anlatp bunun zerine oyun oynamann doalamadaki yerine deinip, doalama zerine Garcia. M.E, Plevin M., Macagno P. in Yaratc Hareket ve Dans gibi kitaplardan yararlanarak nermemi gelitirmek olacak. Ayrca erikinlerin ruhsal salk durumunu anlayp anlatacak ve doalamann bu sala katt yararlar ileyeceim. Bulgularm doalarken kii kendi isel yolculuunu yapar, kendisini daha nce gremedii gibi grr. Doalama yapmak tm danslar iin gerekli bir tekniktir. Danslarn yan sra sradan insanlarn da doalama yoluyla terapi grdkleri, zgrletikleri gzlenmitir. Sonu olarak doalama dans etmeye balayan bir kii anda kalma durumunu yeniden renir. Doalama tekniini gelitirir. Kendisinin oyun oynamasna izin verir. Bu durum tiyatrodaki gibi nceden zerine allm duygular veya karakterleri geri arp sahnede sergilemeye benzemez. O anda kendi yaad, durum, duygu ve oynama potansiyeliyle seyirci karsnda var olur. Bu durum insanda bir esrime ve esrime sonras mutluluk etkisi yapar. Doalayan kii gever. Bu yzden iyi bir dans ayn zamanda iyi bir doalama sanats da olmaldr. Anda kalabilmek, anda olabilmek sahneye kan biri iin olmazsa olmaz bir durumdur. Doalama sahneye ikindir.

Anahtar Kelimeler: doalama, oyun oynamak, anda olmak, farkndalk


TO BE AT THE MOMENT BY IMPROVISING
 
In this paper I will show the importance of improvisation for a dancer and explain the importance of recalling back (playing and being at the moment). When we are kids we have the playing instinct but it gets lost when we grow up. Though we need to recall this back as a dancer for the improvement of artistic progress. My method will be starting to evaluate from children and reach to the grown-ups. Ill explain the kids instincts of playing and will also mention the place of improvisation in playing. I will get information from the books like Creative Movement and Dance by Garcia. M.E, Plevin M., Macagno P. and improve my thesis. Other than these Ill also talk about grown-ups spiritual health and Ill mention the help of improvisation in this context. In result improvisation is a need. The person who improvises does her inner journey, she sees herself like she has never seen before. To improvise is a necessary technique for all dancers. Other than dancers every human being has been observed getting therapy and getting free. As a solution a person who starts dancing improvisation learns to be at the moment from the beginning. She enhances the improvisation technique. She lets herself to play. This situation is not like theater that one recalls back the feelings and the characters she has worked on in front of the audience and present it on stage. She exists with her state, feeling and the potential of playing. This is why a good dancer needs to be a good improviser. Improvisation is immanent to stage.

Keywords: : improvisation, playing, to be at the moment, awareness


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